The Avalanches played through their classic album Since I Left You with a symphony orchestra, and the big question was: how do you improve perfection?
- by Barney Zwartz, Cameron Woodhead, Tony Way and Mikey Cahill
Jonas Kaufmann is the most bankable tenor in the business. But he says opera is facing an existential crisis, post pandemic.
- by Nick Miller
The young soprano has come a long way from the little girl growing up in Melbourne’s outer east, practising crying in the mirror and begging to join the choir.
- by Barney Zwartz
An internal survey of staff at Opera Australia found a third of employees believe bullying and harassment is an issue at the company.
- by Andrew Taylor and Nathanael Cooper